PPL international collections hit record high of £86.7m in 2019

UK-based collection society PPL collected a record £86.7 million in international monies in 2019.

This represented growth of £15.8m (22%) on the total achieved in 2018 (£70.9 million).

PPL collects money overseas where recorded music rights exist for public performance, broadcast and private copy.

It does this through over 95 agreements with collective management organisations (CMOs) across Africa, Asia, Europe, and North and South America.

In 2019, PPL’s collections covered approximately 96% of the global value of the neighbouring rights markets for performers, and 93% of the global value of the recording rightsholders’ market.

Last year saw PPL sign new agreements with CMOs in Kazakhstan (Amanat), Netherlands (STAP), Slovenia (IPF), and Ukraine (ULCRR), and the society says tha first-time payments were received from CMOs in Albania, Georgia, Panama, Paraguay and South Korea.

Notable payments were also received from CMOs in Germany, France, USA and Holland, according to PPL.

“Our international collections are now a vital source of income that supports the music ecosystem, allowing performers to keep creating and developing, and recording rightsholders to support the artists that they represent.”

Laurence Oxenbury, PPL

Laurence Oxenbury, Director of International, PPL said: “As music consumption increases around the world, in many different countries, PPL is well-positioned to continue getting music people paid.

“Our international collections are now a vital source of income that supports the music ecosystem, allowing performers to keep creating and developing, and recording rightsholders to support the artists that they represent.

“The last two years have been particularly successful, with a growth of 75% between 2017 and 2019.

“This fantastic achievement is possible thanks to the talented artists and recording rightsholders who entrust us with their valuable rights.

“Our business is nothing without them and I am pleased that the team at PPL, working with our partner organisations around the world, have managed to continue to develop this revenue stream for them.”

“Collaboration with our international counterparts is central to the progress we have made with our collections, as is our investment in leading-edge technology and data infrastructure.”

Peter Leathem, PPL

Peter Leathem (pictured), Chief Executive Officer, PPL, added: “PPL’s international collections account for a significant proportion of the company’s overall revenue, reflecting the drive over the last 14 years to collect this money for performers and recording rightsholders.

“Collaboration with our international counterparts is central to the progress we have made with our collections, as is our investment in leading-edge technology and data infrastructure.

“The value of our payments is also reflected in the quality and scale of artists and rightsholders who entrust us with their royalty collections outside of the UK.

“We have over 95,000 internationally mandated performers and recording rightsholders; our roster includes some of the most recognisable names in music, from established legends to today’s brightest new talents.

“It is an honour to represent so many performers and rightsholders on the world stage, and we will continue to stand up for their music rights in 2020.”Music Business Worldwide

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