Analysis Blog gamma, Downtown, Utopia, and the rise of the ‘Inside-Out Majors’ The following op/ed comes from UK-based Hunter Giles (pictured inset), who co-founded and leads Infinite Catalog, a royalty accounting software + service company.
Analysis Blog To grow the market for music creation tools, look to Canva and Figma. The following op/ed comes from Adam Hasslert, CEO of music creation platform Soundation
Analysis Blog Why a US legal ruling over an AI-generated cartoon has major implications for music’s future. AI legal expert Barry Scannell, analyzes a new decision in the US that could have consequences for the future
Analysis Something New: Artificial Intelligence and the Perils of Plunder UMG's Chief Digital Officer, Michael Nash, on the possibilities, and threats, that a new wave of generative AI brings to music
Analysis Blog Where is the growth going to come from? Geoff Taylor, formerly CEO of the BPI, casts his eye over a slowdown in growth in mature markets – and ponders how it might be accelerated
Analysis Blog It’s time to stop romanticising the music business ‘radical’ The following op/ed comes from long-time music industry journalist Eamonn Forde
Blog News The music industry frets about AI music, but is it just a new form of Muzak? The following op/ed comes from long-time music industry journalist Eamonn Forde
Analysis Blog How much productivity is too much productivity? This op/ed comes from long-time music industry journalist Eamonn Forde
Analysis Sir Lucian Grainge’s royalty payout letter was a ‘hallelujah moment’ for streaming’s anti-fraud movement. Nick Dunn, founder of UK-based distributor Horus Music, hopes that Universal's new focus will help neuter criminal activity on platforms
Analysis Blog ‘There is a real need to look behind the marketing hype and truly understand what is being offered.’ PPL CIO Mark Douglas examines the contribution being made to the industry’s data challenges by Music Recognition Technology
Analysis Blog ‘Consumer desire is driving the great music unbundling.’ The following op/ed comes from Forrest Browning, Co-Founder & Chief Product Officer at Audius
Analysis Blog At least let the CD die with some dignity The following op/ed comes from long-time music industry journalist Eamonn Forde
Analysis Blog ‘Artists won’t stop fighting until large broadcast corporations pay fairly for music.’ The following op/ed comes from Michael Huppe, President & CEO of US performance rights organization, SoundExchange
Analysis Blog Why it’s time to formulate your Twitter escape plan The following op/ed comes from long-time music industry journalist Eamonn Forde
Analysis Blog How Web3 is ushering in a new artist-centric era This op/ed comes from Vickie Nauman, Founder and CEO of LA-based boutique music tech consulting and advisory firm CrossBorderWorks