The restructure involves 200 marketing professionals worldwide, according to the company.
ONErpm says the move unifies its global marketing and promotion efforts “as music moves more fluidly across markets.”
The hubs will be led by Iasmine Amazonas, who has been named Chief Marketing Officer, and Isaac Miranda, who has been named Global Marketing Director.
Amazonas was previously Chief of Staff for ONErpm in Brazil, while Miranda was previously the company’s Director, Asia.
Under the new structure, ONErpm‘s local teams will continue to handle artist relationships and campaign execution in their own markets.
Those teams will now be supported by the hubs, which ONErpm says will coordinate the development and promotion of artists gaining traction locally and globally across multiple territories.
The new global specialty hubs include Paid Media (Will Sword) and DSPs (George D’Errico, now Global Head of Streaming Partnerships).
There are also hubs for International Marketing (Jenna LoMonaco, now SVP, International Marketing) and YouTube Marketing (new hire Jorge Amaya).
Caroline Abs, a new hire whom ONErpm describes as a “veteran label exec,” will be responsible for several hubs, as well as institutional marketing and PR.
Those hubs include Design (Tim Kin), Social Media (Camila Cesar), and Studios (Natalia Mercatti).
ONErpm says its regional hubs will bring together efforts across multiple markets.
Casey Childers leads the US hub, with the new title VP, Digital Strategy US, Latin America, Aus/NZ, Jamaica.
Andrés Graff Navarro, formerly Head of Marketing, Mexico, leads the LATAM hub.
Mariane Correa leads Brazil and Lusophone territories, Aleksandr Shanin leads Russia and Eastern Europe, and Blessing Manafa leads Europe and Africa.
A lead for the APAC hub has yet to be named.
“We’ve proven our ability to disrupt local markets around the globe. Now, we’re taking aim at the legacy mindset that limits independent artists to regional success.”
Isaac Miranda
“We’ve proven our ability to disrupt local markets around the globe,” said Miranda. “Now, we’re taking aim at the legacy mindset that limits independent artists to regional success.
“Our global and regional hubs democratize access to top-tier international marketing expertise, giving our partners the backing of central knowledge and best-in-class execution. It allows culture to flow globally from anywhere on earth, without losing the local engine that knows them best.”
ONErpm says it now has more than 650 staff across 48 offices in 37 countries.
The company says it has opened 24 offices in 20 countries over the past five years.
According to ONErpm, those offices have delivered regional hits and local chart success in countries including Nigeria, Turkey, and the Philippines.
Among recent examples, the company pointed to Kakalika by Ghanaian act DopeNation, which it says it invested in across Europe and Latin America, as well as in Africa.
ONErpm also cited Brytiago‘s Estoy Pa’ Ti, as well as Freaky 1 by Max Styler, Vintage Culture, and Ali Love, released on Vintage Culture’s Affairs label.
“The strength of ONErpm is that it operates globally,” said Emmanuel Zunz, ONErpm’s founder and CEO. “We are organizing resources and people to take full advantage of this strength.”
“The strength of ONErpm is that it operates globally. We are organizing resources and people to take full advantage of this strength.”
Emmanuel Zunz, ONErpm
When LoMonacojoined ONErpm as Head of US Marketing in December 2021, the company said she would oversee a staff of more than 25 marketing professionals in the US.
At the time, ONErpm said it had 43 offices globally and more than 500 staff.
In February, MBWreported that ONErpm employed more than 600 people globally, roughly six times its 2020 headcount.
In July 2025, MBWreported that ONErpm was on track to generate around USD $300 million in gross revenue that year.
“The next step is for us to show that the model we’ve developed in Latin America and the US works in Africa, Asia, and other markets. And that’s what we’re going to do,” Zunz said at the time.
On the MBW podcast in July 2024, Zunz said he was aiming to grow ONErpm by 50% or 60% by the end of 2026.
Zunz added that “if we hit those goals in two to three years, we’ll be the fifth-largest music company in the world.”
A year later, Zunz told MBW he was “not having to revise that forecast right now.”Music Business Worldwide
