Music Business Interviews

‘I remember being really angry that I hadn’t done more with my life or followed my passion.’ (Then she did.)

Friends At Work founder, Ty Stiklorius, on her career, the flaws of the music business – and how to treat your team properly

Interviews

‘Anyone can go out and spend $1 billion. The trick is getting a good return for your investors.’

Round Hill Music CEO, Josh Gruss, on the competitive music M&A landscape, and his firm's next big raise

Interviews

Nile Rodgers on his production, his philosophy – and why he believes you should ’embrace failure’

Our World's Greatest Producers series kicks off with a legend: Nile Rodgers

Interviews

‘A&R is about giving a voice to artists that you believe are important.’

Omnian Music MD Jane Abernethy discusses working with artists and A&R and the challenges and developments she’s experienced in the independent music sector

Interviews

Why $12m-backed Stem dumped DIY distribution – and why its founder worries about the music industry ‘making aggressive bets and being wrong’

Milana Rabkin Lewis joins MBW's podcast to talk distribution, A&R and stream fraud

Interviews

Denzyl Feigelson: ‘Once you help an artist build a robust business, a lot starts to happen for them.’

Platoon has worked with the likes of Mr Eazi, Rex Orange Country and Billie Eilish. Now, with new owner Apple, it's working with a fresh and exciting crop of artists

Interviews

‘We can’t allow this crisis to bring down the future of talented people who chose a creative career.’

Hartwig Masuch on BMG's performance in 2019 – and how the major rightsholders might change in the years ahead

Interviews

What’s it like to be a music company in the middle of the Coronavirus lockdown in Italy?

Artist First founder Claudio Ferrante on life and business under Coronavirus lockdown in Italy

Interviews

‘The guy who signed me sent an email that basically said, You will never make it in America and you’re going to come home crying.’

Toby Gad, writer of smashes for Beyoncé and John Legend, on why songwriters shouldn't "try to be famous"

Interviews

‘Streaming gives wider access to all genres of music, and that is especially true of classical.’

Tomas Wise on his company's rebrand and the future for music publishing

Interviews

‘This business is about what’s coming next. It always has been.’

Ralph Simon is the industry legend you’ve never heard of. Well, you’ve heard of him, of course, but you don’t really know his role in the rise of Zomba and Jive, the story and messy end of his partnership with Clive Calder, and how he feels about missing out on the biggest deal in the history of the music business. You’re about to find out…

Interviews

Music Business Worldwide

Music Business Interviews

‘I remember being really angry that I hadn’t done more with my life or followed my passion.’ (Then she did.)

‘Anyone can go out and spend $1 billion. The trick is getting a good return for your investors.’

Nile Rodgers on his production, his philosophy – and why he believes you should ’embrace failure’

‘A&R is about giving a voice to artists that you believe are important.’

Why $12m-backed Stem dumped DIY distribution – and why its founder worries about the music industry ‘making aggressive bets and being wrong’

Denzyl Feigelson: ‘Once you help an artist build a robust business, a lot starts to happen for them.’

‘We can’t allow this crisis to bring down the future of talented people who chose a creative career.’

What’s it like to be a music company in the middle of the Coronavirus lockdown in Italy?

‘The guy who signed me sent an email that basically said, You will never make it in America and you’re going to come home crying.’

‘Streaming gives wider access to all genres of music, and that is especially true of classical.’

‘This business is about what’s coming next. It always has been.’

‘Essentially, music is an emotional language that connects people.’

‘Downtown is an ideal combination of technology and creativity, with an international mindset built in its DNA.’

‘There’s nothing more exciting than finding a new idea…’

‘You can make decent money in Italy out of streaming – but physical still maintains some strongholds.’