Matthias Stalter, founder and CEO of Spatial Audio production company ThreeDee Music, gives us his predictions for the Spatial Audio business, and explains how ThreeDee Music is situated in the sector…
Glen Ballard discusses co-writing Jagged Little Pill, working with Michael Jackson, how AI is 'the ultimate threat to every writer in the world' and much more...
With over two decades in the business, most of it spent in the leadership team of EMI, Clive Cawley is going back to the future, setting up EMI North not far from where he grew up – and aiming to create a powerhouse of a label…
In their first interview since being installed as AWAL’s new UK leadership team, Matt Riley, Victoria Needs and Sam Potts explain how, post-Sony acquisition, the company is still a unique and distinct option for artists…
Perry Farrell's co-manager, Michael James, talks about working with an alt-rock pioneer and the cultural impact of his client's bands and projects, from Jane's Addiction to Lollapalooza
Viberate's Vasja Veber tells us more about the Viberate for Artists platform, and offers his predictions for the future of the independent artist space...
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For 20 years at BMG and Universal, Rob Wells was the music industry’s go-to digital guru. Then he quit. After enduring a ‘trainwreck’ at Crowdmix, he’s now back as CEO of fast-growing rights management company Orfium...
Boy (George Merrill) Meets Girl (Shannon Rubicam) discuss writing 1980s mega-hits How Will I Know and I Wanna Dance With Somebody, their experience as artists, divorce, trust and rediscovering their passion for writing...