Analysis Blog Games have raced ahead to build Web3, but it’s not too late for music The following MBW op/ed comes from Bruno Guez, CEO of Digital rights administration company Revelator
Analysis Blog HODL the Line: The future of Web3 in the music industry Gregor Pryor, Head of Entertainment & Media at law firm Reed Smith, explores the future of Web3 investment in the music industry
Analysis Blog Live music is falling apart. The following MBW column comes from London-based music industry journalist and author Eamonn Forde
Analysis Blog Music in the Metaverse: Redefining music rights in the Web3 world The following MBW op/ed comes from Deborah Mannis-Gardner, Owner/President, DMG Clearances, and a global expert on music rights clearances.
Analysis Blog India is home to the largest number of YouTube viewers in the world. But the platform’s music chart isn’t without flaws. Amit Gurbaxani investigates why a lyric video with more than 400m views hasn’t charted on YouTube's charts for India
Analysis Blog Web3 can help the music industry save the planet. Serenade's Mike Walsh makes the case for the climate benefits of Web3 tech
Analysis Blog Merck Mercuriadis on Lamont Dozier: ‘He was as important as any songwriter that has ever lived.’ Hipgnosis founder pays tribute to all-time great songwriter – while making a point about the rewards great composers get from the music industry
Analysis Blog ‘As AI creative technologies become more common, the question of AI authorship is particularly important.’ In the following MBW op/ed, Dublin-based Barry Scannell copyright and authorship issues around AI-created art and music
Analysis Blog ‘A publicly accessible platform on which anyone can make undeletable, tamper-proof assertions about their ownership of or contribution to music sounds like the foundations of anarchy’ An MBW op/ed from Mark Douglas, Chief Information Officer at PPL, the UK's music licensing company for over 130,000 performers and recording rightsholders.
Analysis Blog ‘Streaming challenges can be met only by artists and labels working together.’ This MBW op/ed comes from Geoff Taylor, Chief Executive of the BPI, the UK’s trade body for the recorded music industry
Analysis Blog News How to justify Bruce Springsteen’s skyrocketing ticket prices MBW Reacts is a series of short comment pieces from the MBW team
Analysis Blog What’s music’s next new format? This op/ed comes from Inder Phull, CEO and co-founder of gaming and music metaverse company PIXELYNX
Analysis Blog Interviews Why I’m doubling our investment in the UK music industry, just when people say it’s losing global power. Lucas Keller’s belief in the hit-making ability of British songwriters, producers and artists is unwavering...
Analysis Blog How Four Tet vs. Domino points to our industry’s profit-share future This op/ed comes from UK-based Hunter Giles, who co-founded and leads Infinite Catalog, a royalty accounting software + service company
Analysis Blog The Decentralization Paradox The following MBW op/ed comes from Dan Symons, founder of SPLIT / LIP, a Web3 and metaverse business consultancy for rights owners